Impermanence no.1326

Description

I utilize contemporary Chinese brushstrokes and empty space to create a sophisticated balance in my work. With a back ground in architecture and a passion for lines and the graphical nature of it I continue to develop arrangements that allude to strong imagery and sensations.

The materials used in the artwork consist of handmade paper, ink made of pine soot and watercolors. The handmade paper has silk, cotton, wood chips and mulberry pressed into the pulp. The result is a warm velvety, tactile surface. The ancient process of preparing the artwork for framing is similar to that of mounting scrolls. Wheat paste is applied to the back side of the artwork and layers of paper applied until it reaches the ideal resilience. This method of preparing works on paper dates back two thousand years and can only be done by a handful of artisans in America.